Lesson Plans Grades K-1
- Identifying the rondo form through listening.
- Following a listening map for "Viennese Musical Clock"
- Creating a rondo through body rhythms
- Creating a rondo through found instruments.
Extension Lessons
- Creating a rondo using the Kodály approach to rhythms.
- Recognizing quarter note and eighth note combinations using rhythmic syllables.
- Connecting Sol and Mi to the pitches G and E.
- Using hand signs for Sol and Mi.
- Creating a rondo using Orff instruments.

Lesson Plans Grades 2-3
- Identifying the rondo form through listening.
- Following a listening map for "Viennese Musical Clock"
- Creating a rondo through body rhythms
- Creating a rondo through found instruments.
Extension Lessons
- Creating a rondo using the Kodály approach to rhythms.
- Recognizing quarter note, eighth note, quarter note rest combinations using rhythmic syllables.
- Connecting Sol and Mi to the pitches G and E.
- Using hand signs for Sol and Mi.
- Creating a rondo using Orff instruments.

Lesson Plans Grades 4-5
- Identifying the rondo form through listening.
- Following a listening map for "Viennese Musical Clock"
- Identifying the parts of an unfamiliar rondo. (Evaluation)
- Creating a rondo through body rhythms
- Creating a rondo through found instruments.
Extension Lessons
- Creating a rondo using the Kodály approach to rhythms.
- Recognizing quarter note, eighth note, sixteenth note and dotted quarter note combinations using rhythmic syllables.
- Connecting Sol and Mi to the pitches G and E.
- Using hand signs for Sol and Mi.
- Creating a rondo using Orff instruments.

Rondo Form Definition
Basic Definition | In Depth Definition
RONDO: a musical composition in which the "A" theme alternates with additional different themes. Rondos can be in the simplest form ABA. Most commonly they are in the ABACA form. In "The Viennese Musical Clock" the rondo takes the form of ABACADA.
This form was often used in the final movement of classical symphonies, sonatas, string quartets, and concertos. Its original French form was ABACAB'A. This Rondo form brought back the B section a second time with slight changes from its first appearance. Composers would later take the idea of alternating sections in the basic RONDO form and create their own forms around them. Some examples follow:

Rondo Form Examples
A B A C A D A - Kodály, Viennese Musical Clock
A B A C A D A - (BCDA) Beethoven, Violin Sonata, No. 4, op. 23, finale
A B A C A D A B' A Mozart, Sonata K. 281, finale
A B C A D A - (A) Haydn, Trio in G ma, finale, "Rondo all' Ongarese"
A B A C D A E A B' - (A) Mozart, Rondo, K. 494
A B A B' A - (trans and new) Mozart, Sonata, K. 457, finale
A-B-A-C-A (Five-Part Song Form)

Sonata-Rondo form Definition
The sonata-rondo is a hybrid form that combines the characteristics of the sonata form (ABA) and the rondo. The central "C" section acts as a development section.
|| A B A || C || A B A ||